It is the most anticipated game concert event for me – Video Games Live. It started in 2005 and began to tour the various states in USA, and it was a matter of time before it came to Singapore too on 19th July 2009. Recently, for this country with the nickname of “the little red dot”, there has been a series of concerts – PLAY, one for Final Fantasy and some time back, the Eminence Ensemble performed at the Victoria Concert Hall. So how does the legendary VGL @ Singapore matches up?
The tickets for VGL @ Singapore were on sales at SISTIC since March, but there weren’t really marketing and promotion till May, which I found strange. The event was organised in conjunction with the CG Overdrive, and when the tickets are out (during the early bird period), there was no announcements, no updates on both the official VGL and CG Overdrive website. It was frustrating until a friend, who often go to such concerts, helped me to locate the page at SISTIC where I could book the tickets. Only later then there is a site called VGL-SEA (VGL for Southeast Asia?) launched. Even for the official site for this concert, there are no previews, just a site hastily put together. Posters for VGL only sprang up around the IT hub of the city, only in May. Isn’t that a bit too short a period for marketing effort?
Also considering that in May there was a Final Fantasy concert at the Esplanade and the tickets were completely wiped cleaned by late March. Considering that VGL coming to Singapore is such a rare opportunity, shouldn’t the marketing efforts be ramped up a bit? Marketing +0 (Medicore).
Sound Test
Marketing, of course, is just something that happens before the event. The real meat is during the show itself. So how does it stands? Let’s talk about the entire performance first. The symphony is the NUS Symphony. Sadly, some people I knew were put off by that as it is not a “full-fledge symphony”, and the price tag (SGD 55 just for the lowest tier ticket) just put them off. So did the NUS Symphony performed well?
I don’t know.
You see, there was a bit of problem with the mixing at the indoor stadium. The first piece, Metal Gear Solid 2 Opening Theme feels a bit underwhelming. There is no sense of listening to a live performance. It was like, listening to a recording of the performance itself. Of course, it is performed live, but something seems to be lacking in recreating the “live atmosphere”. My friend pointed out that the brass was too weak.
Later, they compensate (or attempt to try to? Or I guess they did try) by boosting the volume. That backfires, I guess. To me, the volins, strings and trumpet, when they reach high pitch, are especially jarring on the ear. When I listen to a piece of music, I like to follow the subtle things beside the main instrument playing on the foreground – things like the strings, the brass and motif. However, they were all clashing with each other. It’s hard to pick out the strings when something else is overpowering it. This I feel, is not the Symphony’s fault, but rather a mixing problem. I would really suggest VGL looks into acoustics next time for their next performance at Singapore.
While the NUS Symphony definitely is a notch lower when compared to the Singapore Symphonic Orchestra or the Eminence Ensemble, one thing for sure is that they tried their darn best. The pieces when the acoustic problem cleared up for a while (due to the virtue of the composition, I guess) are the Snake Eater theme and Chrono Trigger/Chrono Cross piece. Those are quieter pieces and they do literally suck you in. It also helps that for the second part of the show, there were strong players, such as the composers themselves. Kudos to the lead violinist for playing the Chrono Cross piece.
The vocals, from the NUS Choir, are well done though. They do sound exactly like what I would imagine them to be, but they seems to be lacking in numbers for a really bombistatic performance. The music seems to be crowding them out.
Performance +1 (Average), +2 (Fair) for the second part
Mixing -1 (Terrible)
Comparison
The only other concert I have been to is Passion, by Eminence Ensemble and I afraid that VGL @ Singapore, in terms of performance, lags behind Eminence. Then again, all the strong players from the Ensemble were presented and they were a professional one. However, one sore sticking point is that the ticket for the event is a lot more cheaper (yes, Singaporeans are picky about pricing). Maybe it’s wrong of me to compare the two, since Passion was a quartet event, more close-up and intimate whereas VGL is a large scale one.
I won’t comment on the light shows and the multimedia display. Perhaps I am just not used to large scale concert. For me, I prefer a quieter one where one could focus entirely on the music. The lights sometime just hit full into my eyes and I have to close it. Perhaps the other concert-goers are more used to such events, so I’ll let this pass.
But though – showing photos of cosplay during the rendition of One Winged Angel doesn’t struck me as a good idea. Perhaps I am too rigid or some such. I rather they ask for permission to put on more fantastic fan art. (Maybe it’s just because I am not a fan of cosplay?)
Research, Research, Research
Singapore is between the East and the West, though largely put, people tend to prefer the East (Japan) when it comes to music. There was someone who I would dub “Final Fantasy 7 Fan of the Year” when he kept shouting out for One Winged Angel. That the reception for Chrono Cross, Castlevania and other FF7 pieces way outweight any other pieces.
For example, it was mentioned that Metroid is one of the most requested piece ever. The thing is, I doubt Metroid is that big in Singapore. Picking Halo, World of Warcraft and Diablo are the pieces (and checking out the audience’s response) that resonated more with the audience.
I would humbly suggest that VGL, if they are to return to Singapore, to leave out the Tron segment.
I am sure going out on a limb for this, but I think VGL ought to pick music that are good instead of just famous. How many time have we heard One Winged Angel, anyway? Recently, there are many games with good music (Shadow Hearts, Ace Combat series, Okami) but are not famous. Heck, there are many classic with great music which are really underpresented (Lufia, Final Doom, Tyrian, Quest for Glory, Ultima). Secondly, I would also suggest re-arrangement to a certain extent. The front part of the show seems to be straight covers, and adding in that somehow the playing sounds recorded, I find myself drifting off to boredom-land.
All in all, I have a fun time, however I have to say it doesn’t measured up to Passion by Eminence Ensemble.